I am an oil painter living in S.E. Pennsylvania. Thanks for stopping by!
Showing posts with label man. Show all posts
Showing posts with label man. Show all posts

Thursday, May 24, 2018

When your art moves someone to write poetry about it...

...That's just what happened recently with my painting, "Gabriel",  which is in my current show Spirit○Animal, at Art Plus Gallery. I am always so thankful (and still a little surprised...) when my artwork moves someone enough to buy it and take it home... actually live with it and see it every day!  What an amazing thing!  But this was something different.  I met the poet, Catherine Mahony (Cat) at the gallery the other day. She is a poet who writes what she calls ekphrastic poetry explaining to me that she tries to interpret poetry using language that evokes an understanding of the painting, even if it can't be seen. Looking into the definition of ekphrastic poetry a little deeper, I found that an ekphrastic poem is a vivid description of a scene or, more commonly, a work of art. Through the imaginative act of narrating and reflecting on the “action” of a painting or sculpture, the poet may amplify and expand its meaning. (More on this type of poetry can be found here)

Fascinating!! I never had heard of this before.  What a wonderful thing...
 She asked if she could write a poem about Gabriel, as it moved her and spoke to her on so many levels. I was of course incredibly honored and told her yes, I'd love it if she did.  So, this is her poem, her interpretation of my painting.  I have to say, the painting was very personal to me and evolved in my studio over the course of several months with some meanings specific to me  and my creative life, when I was painting it.  For me, it actually does not have the dark undertones and meanings that Cat saw in it, as I have a different relationship with Gabriel... But, that being said, once a piece of artwork is created and put out there for the world to see, the artist releases the artwork to move people and affect them in their own personal way... That is the absolute beauty of artwork and I am thankful and honored that my artwork evokes such feeling in others. 
And, thank you Cat, for taking the time to write such a beautiful poem.

Gabriel, oil and cold wax, 24"x24", Sold

Catherine J. Mahony

5/23/18

Gabriel’s Purgatory
(An Ekphrastic poem, depicting “Gabriel,” an artwork by Karen Weber)


Hark the Herald Angels embark,
on a journey that unfolds here-
please hold here,
this collage.
Adhere here
to this
fantastical pentacle,
of a Raven’s portrait.
May I escort you
into a realm
of crimson realities…
This frailty
displaces me.
Once upon a midnight dreary,
Poe paced his floor boards-
weak and weary.
Dreary you may think
this tale appears.
Awaken now,
all your hopes and fears.
Come near once,
come hear once…
Listen as I squawk!
My ebony feathers drip
with beads of burgundy,
I am warning thee-
do not come forth
with promises you can
no longer keep;
Rather look upon
this piece
and weep…
for all who were lost,
for all whom we keep.
I will tell you a secret,
but please do not tell...
There is no Heaven,
there is no Hell.
A purgatory
is where
we all tread…
Black birds prey on Gods -
our souls they are fed.
So when this bird
with crimson wings,
lurks upon
your door and sings,
Please don’t fret or
run and hide-
Just pray
he doesn’t come inside.
This is my body,
and this is my blood…
Come let us feast,
come bathe in the flood!
The moon is full,
as I bask in it’s glow.
Mother Earth is due soon;
She will bear children,
who howl at perched crows.
I know something
you don’t know…
This poem is homeless
and Squats under this tree.
It feeds on the berries
I drop from my beak.
So the next time you long for
a place call home…
just ask me,
Gabriel,
for a place
of your own.
You see it’s just me,
and this old oak,
and we loom here alone!

Wednesday, September 28, 2016

Day 28 - Graffiti Text

I snapped this picture as I was walking out of a Wawa (a PA based convenience store/gas station) a few weeks back. This guy was just perfectly posed right outside the door and I actually had my phone at the ready! The background was of course cars, gas pumps and chaos, but I opted for a background of graffiti, as it seemed appropriate.  I also was experimenting with the paint itself. I typically use a limited palette - Titanium white, Alizarin Crimson, Cad. Yellow, and Ultramarine Blue. (and sometimes Phthalo green)  But this scene called for something different.  The colors needed to be bright and pure.  Sooo, I used... Titanium white, Quinacridone Red (love that word), Transparent yellow, transparent orange, (by Rembrandt) and prussian blue - all of which are transparent colors (minus the white) that have a bit more umph to them.  I only added the white towards the end of the painting.  This is a technique I have known about from reading about another artist who uses this technique (Dreama Tolle Perry) to achieve pure, bright colors.  I am relatively happy with the results but feel I need to experiment with it more.  The graffiti in the background is simply because I am fascinated by graffiti, and have included it in several paintings I have done previously.  I love the ambiguity and abstract quality of it.

Graffiti Text, oil on panel, 18"x24"
to purchase, please click here

Thursday, September 22, 2016

Day 22 - "Passing the Tower"

I mentioned the other day that I sometimes get inspiration from the Morguefile, an online free file sharing website.  Well, I also love to use Google street view to wander the globe and see places that I otherwise may never get to see.  This inspires me so often and I have painted many pictures from scenes I have found in street view... Prague, Ireland, Idaho and Paris are just a few of the most beautiful areas of the world, at least on street view anyway.  So, this scene  which I found while 'wandering' around Paris, inspired me because, one, this view of the tower is just impeccably perfect, and two, the young man on the bike in the foreground presented a nice mystery.... What exactly is his story?  It made me wonder "where is he was going?"  Maybe university?  A quiet cafe to meet a secret rendezvous? Maybe he's a delivery guy delivering important documents.  Maybe he's on his way to visit grandma.  Who knows?   Anyway, I liked the mystery this scene presented and I also loved the composition when I cropped it to fit one of my narrow panel left-overs.

Passing the Tower, oil, 4"x18"
to purchase please click here

Tuesday, September 6, 2016

Day 6 - Studying the Circular

Sometimes the most mundane places give you the most beautiful compositions! This man was at my local grocery and as I was packing my bags away, I sneakily snapped a picture of him. I love all of the patterns and shapes occurring all around him and just love his pose and expression.   They were great to break down and analyze to see just how everything fits together.  It turned out to be a very complicated composition to execute... I spent way too much time in my studio painting this one!  But in the end, it was exciting and fun to paint!  Challenging also in I don't know how many older men (try none...) I have actually painted in my life, so getting his gesture right took a bit of patience.  And the foreshortening  of his legs and arm.... Let me just say, this was a case of paint what you see, not what you think you know...
 Sadly, because it is still pretty wet, it was difficult to photograph without a glare... This is the best I could get for now...
And btw, tomorrow's painting won't be quite as complex...!

Studying the Circular, oil, 20"x20"
To purchase, please click here

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